How to Submit Your Film to Festivals Without Going Broke
Submitting to forty festivals at twice the fee will cost you more than your color grade. Here's how to be ruthless about where the money goes.
Submission strategy, grants, distribution and the legal side of getting a film seen.
Submitting to forty festivals at twice the fee will cost you more than your color grade. Here's how to be ruthless about where the money goes.
Most documentary grant advice is a list of names with no sense of which doors actually open. Here's the real landscape, stage by stage.
It's the most confusing two words in indie film funding. Strip away the jargon and fiscal sponsorship is just borrowing a nonprofit's tax status.
Fair use is the most misunderstood doctrine in documentary. It's not a loophole and it's not nothing — it's a judgment call you have to make defensibly.
The premiere is the easy part. Then a distributor offers you a deal, and you discover that 'we'll handle everything' can mean very different things.
E&O insurance is the unglamorous thing standing between your finished film and a distribution deal. Here's what it is and when you actually need it.
Festivals aren't a random list — they're a calendar with a logic. Premiere in the right slot and one selection generates the next.