Why 'Indian Point' Still Matters in the Nuclear Debate
Ivy Meeropol's portrait of an aging reactor on the Hudson is less about meltdowns than about who gets to decide what counts as safe.
Every documentary review, watchlist, gear guide and festival dispatch — newest first.
Ivy Meeropol's portrait of an aging reactor on the Hudson is less about meltdowns than about who gets to decide what counts as safe.
The films to watch before you pack a bag — from the Himalayas to the Nile to the French Riviera.
Forget the spec-sheet wars. Here's what a documentary camera actually needs to do, and the bodies that do it.
A working list of the Netflix documentaries I keep coming back to and pressing on friends.
Submitting to forty festivals at twice the fee will cost you more than your color grade. Here's how to be ruthless about where the money goes.
One is free and grew up in the color suite. The other has thirty years of editorial habits baked in. For documentary, the choice is closer than people think.
Bad sound kills a documentary faster than bad pictures. Here are the lav mics that'll save your interviews without draining the budget.
The films that capture India's contradictions — from Varanasi's ghats to the textile factories of Gujarat.
Most documentary grant advice is a list of names with no sense of which doors actually open. Here's the real landscape, stage by stage.
The fly on the wall versus the provocateur with a camera — the two great observational traditions are closer in look than in belief.
Documentary editing is an organization problem before it's a creative one. The best software is the one that keeps a thousand hours of footage findable.
MUBI's small, rotating slate is the opposite of Netflix — and for nonfiction, that's a feature.
Your camera records sound. It records it badly. Here's why a dedicated field recorder belongs in your bag, and which one to buy.
It's the most confusing two words in indie film funding. Strip away the jargon and fiscal sponsorship is just borrowing a nonprofit's tax status.
Poetic, expository, observational, participatory, reflexive, performative — a working map of how documentaries actually behave.
The transcript is where the documentary starts to take shape. Get it right and the edit half-writes itself; get it wrong and you'll scrub tape for months.
A map of the legal, no-cost corners of the internet where great documentaries actually live.
Fair use is the most misunderstood doctrine in documentary. It's not a loophole and it's not nothing — it's a judgment call you have to make defensibly.
A gimbal turns shaky handheld into smooth, moving footage — if you pick the right one and don't fight it. Here's what to buy.
Documentary grading is mostly about making mismatched footage look like one film — and resisting the urge to make it look like a film it isn't.
He'd tell you facts are the truth of accountants. Here's a ranking of the films where Herzog goes hunting for something stranger.
The premiere is the easy part. Then a distributor offers you a deal, and you discover that 'we'll handle everything' can mean very different things.
A well-lit talking head separates a real documentary from a webcam call. Here's the setup, the gear, and the thinking behind both.
The films that wrestle honestly with nuclear power, disaster and the energy choices ahead — including the one that gave this site its name.
When notes arrive by email at three timecodes that don't exist, you need a proper review tool. Frame.io leads, but it isn't the only sane choice.
No narration, no interviews, no music telling you how to feel. So why do the best observational docs grip you harder than anything?
E&O insurance is the unglamorous thing standing between your finished film and a distribution deal. Here's what it is and when you actually need it.
Camera, lens, sound, light, support — a real, usable documentary kit that comes in under two grand. Here's exactly how I'd spend it.
A feature doc lives for months and drowns in footage. The film gets made or lost in the workflow you set up before you cut a single frame.
That grainy newsreel doing all the emotional heavy lifting? Someone tracked it down, paid for it, and lost sleep over the rights.
The true crime documentaries actually worth your time, sorted by where they stream.
Festivals aren't a random list — they're a calendar with a logic. Premiere in the right slot and one selection generates the next.
The lens shapes your image more than the camera does. Here's the glass that earns its place in a documentary bag.
Picture lock feels like the finish line. It isn't. Deliverables are the unglamorous stage that decides whether your film can actually be shown.
A documentary is a relationship with real people who can't control how they're shown. That asymmetry is where all the hard questions start.
Climate documentaries that inform without numbing — the ones that actually changed how I see the problem.
An on-ramp into the Criterion Channel's documentary shelf, for people who find it intimidating.